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Fc Barcelona v Olimpia Milano. Thus, to quote another instance, in the "Taming of the Shrew" iv. Some of the old terms connected with card-playing are curious, a few of which are alluded to by Shakespeare.
Thus, in "King Lear" v. So, "to set up a side" was to become partners in the game; "to pull or pluck down a side" was to lose it.
So, in "Coriolanus" ii. A pack of cards was formerly termed "a deck of cards," as in "3 Henry VI" v. So, Cleopatra v. This consisted in throwing cherry stones into a little hole — a game, says Nares, still practised with dumps or money.
In "Twelfth Night" iii. As might be expected, several allusions occur in Shakespeare's plays to this popular game. In "The Tempest" v. This is a dishonorable termination to the adversary, who thereby loses the game.
Thus, in Bacon's Twelfth Essay: "They stand still like a stale at chess, where it is no mate, but yet the game cannot stir. Among the notices of this game, may be quoted that in "Henry V" iv.
Dun is in the mire. This is a Christmas sport, which Gifford describes as follows: "A log of wood is brought into the midst of the room; this is Dun the cart-horse , and a cry is raised that he is stuck in the mire.
Two of the company advance, either with or without ropes, to draw him out. After repeated attempts, they find themselves unable to do it, and call for more assistance.
The game continues till all the company take part in it, when Dun is extricated. Much merriment is occasioned from the awkward efforts of the rustics to lift the log, and from sundry arch contrivances to let the ends of it fall on one another's toes.
This was a cheating game, much practised in Shakespeare's day, whereby gypsies and other vagrants beguiled the common people of their money; and hence was very often to be seen at fairs.
Its other name was "pricking at the belt or girdle;" and it is thus described by Sir J. Hawkins: "A leathern belt was made up into a number of intricate folds, and placed edgewise upon a table.
One of the folds was made to resemble the middle of the girdle, so that whoever could thrust a skewer into it would think he held it fast to the' table; whereas, when he has so done, the person with whom he plays may take hold of both ends, and draw it away.
It is constantly alluded to by old writers, and is thus described in Drayton's "Mooncalf:" "He like a gypsy oftentimes would go, All kinds of gibberish he hath learn'd to know.
And with a stick, a short string, and a noose. Would show the people tricks at fast and loose. In years gone by, there were three degrees in fencing, a master's, a provost's, and a scholar's.
In "Titus Andronicus" i. Among the numerous allusions to fencing quoted by Shakespeare may be mentioned the following: "Venue or veney " was a fencing term, meaning an attack or hit.
It is used in the "Merry Wives of Windsor" i. In "Romeo and Juliet" iii. Of the other old fencing terms quoted in the passage above, it appears that "passado" implied a pass or motion forwards.
It occurs in "Romeo and Juliet" ii. Shakespeare has also alluded to other fencing terms, such as the "foin," a thrust, which is used by the Host in the "Merry Wives of Windsor" iii.
A "bout," too, is another fencing term, to which the King refers in "Hamlet" iv. This is a common and cruel diversion of boys.
They lay a board, two or three feet long, at right angles over a transverse piece two or three inches thick, then, placing the toad at one end of the board, the other end is struck by a bat or large stick, which throws the poor toad forty or fifty feet perpendicularly from the earth; and the fall generally kills it.
In "2 Henry IV" i.